Bibliography

Posted By Mike Palumbo

Books

Allen, Frederick Lewis, Only Yesterday: An Informal History of the 1920s, Open Road Integrated Media, NYC (1931)
- Since Yesterday: 1929-1939, New York, 1963;
Anderson, Terry H., The Movement and The Sixties, Oxford University Press, NY, 1995;
Arnett, Hazel, I Hear America Singing! Great Folk Songs From the Revolution to Rock, Praeger Publishers, New York, 1975;
Barnet, Richard D. , Nemerov, Bruce and Taylor, Mayo R., The Story behind the Song: 15 Songs that Chronicle the 20^th Century, Greenwood Press, Westport, CN 2004;
Barretta,Scott (ed.), The Conscience of the Folk Revival: The Writings of Israel “Izzy” Young, The Scarecrow Press, Inc., Lanham, Md. 2013;
Bierman, Benjamin, Solidarity Forever: Music and the Labor Movement in the U.S., The Routledge History of Social Protest in Popular Music, Routledge 2013;
Bindas, Kenneth J. (ed.), America’s Musical Pulse, Popular Music in Twentieth-Century Society, Praeger, Westport, CN, 1992;
Bindas, Kenneth J., All of this Music Belongs to the Nation: The WPA’s Federal Music Project and American Society, Univ. of Tennessee Press, Knoxville, 1995;
Blecha, Peter, Taboo Tunes: A History of Banned Bands & Censored Songs, Backbeat Books, San Francisco CA, 2004 ;
Brand, Oscar, The Ballad Mongers, Rise of Modern Folk Song, Funk & Wagnalls, NY, 1962;
Braunstein, Peter and Doyle, Michael William, Imagine Nation: The American Counterculture of the 1960s and 70s, Routledge, NY 2002;
Calabria,Frank M. , Dance of the Sleepwalkers: The Dance Marathon Fad, Popular Press: Univ. Of Wisconsin, 1993;
Cantor, Norman F. , The Age of Protest: Dissent and Rebellion in the Twentieth Century, Hawthorn Books, Inc., NY (1969)
Cantwell, Robert, When We were Good: The Folk Revival, Harvard Univ. Press, Cambridge, 1996;
Carlisle and Golson (eds.), America in Revolt During the 1960s and 1970s, ABC-CLIO, 2008;
Carroll, Peter N., It Seemed Like Nothing Happened: The Tragedy and Promise of America in the 1970s, Holt, Rinehart and Winston, NY 1982;
Carter, D. T., Scottsboro: A Tragedy of the American South, Baton Rouge, Louisiana State University Press, Baton Rouge, 1969;
Casey, Steven, Selling the Korean War: Propaganda, Politics and Public Opinion in the United States, 1950-1953, Oxford University Press, NY, 2008;
Cleveland, Les , Dark Laughter, War in Song and Popular Culture, Praeger Pub., Westport CN, 1994;
Clymer, Kenton J. (ed.), The Vietnam War: Its History, Literature and Music, Texas Western Press, El Paso TX, 1998;
Cohen, Norm, Folk Song America: A 2oth Century Revival, Smithsonian Institution Press, Washington DC, 1990;
Cohen, Robert, When the Old Left was Young, Student Radicals and America’s First Mass Student Movement, 1929-1941, Oxford University Press, New York, 1993;
Cohen, Ronald D., Work and Sing: A History of Occupational and Labor Union Songs in the United States, Carquinez Press, Crockett, CA, 2010;
- _____, Wasn’t That a Time! First Hand Accounts of the Folk Music Revival, Scarecrow Press. Metuchen, NJ 1995;
Conforth, Bruce M. , African American Folksong and American Cultural Politics- the Lawrence Gellert Story, The Scarecrow Press, Toronto, 2013;
Cooper, Lee , Images of American Society in Popular Music: A Guide to Reflective Teaching, Nelson-Hall, Chicago, 1982;
Costello, John and Hughes, Terry , The Battle of the Atlantic, Collins, London, 1977;
Cottman, Bob, Paul Clayton and the Folksong Revival, Scarecrow Press, Lanham, Md., 2008;
Cunningham ,Agnes “Sis” and Friesen, Gordon, Red Dust and Broadsides: A Joint Biography, Univ. of Mass. Press, Amherst, MA, 1999
Denisoff, Serge and Peterson, Richard A. (eds.), The Sounds of Social Change, Rand McNally & Co., Chicago, 1972;
Denisoff, Serge, Sing a Song of Social Significance, (2.ed) Bowling Green State Univ. Press, B.G. Ohio, 1983;
- ______, Great Day Coming: Folk Music and the American Left, Univ. of Ill. Press, Urbana, Ill., 1971;
Denning, Michael, The Cultural Front: The Laboring of American Culture in the Twentieth Century, Vero Pub., Brooklyn, NY 1997, with updated afterword 2010;
Denselow, Robin, When the Music is Over: The Story of Political Pop, Faber & Faber, Boston, 1989;
Donaldson, Rachel Clare, “I Hear America Singing”: Folk Music and National Identity, Temple University Press, Philadelphia, 2014;
Dunway, David King How Can I Keep from Singing: Pete Seeger, McGraw Hill, NYC , 1981;
Dunaway and Beer, Singing Out – An Oral History of America’s Folk Song Revival, Oxford University Press, London, 2010;
Echols, Alice, Shaky Ground: The ‘60s and its Aftershocks, Columbia University Press, NY, 2002;
Edmondson, Jacqueline, ed., Music in American Life – An Encyclopedia of the Songs that Shaped Our Culture, AB-CLIO, Santa Barbara, Ca., 2013;
Eisenmann, Linda, Historical Dictionary of Women’s Education in the United States (1998);
Ellison, Mary , Lyrical Protest: Black Music’s Struggle against Discrimination, Praeger Pub. NYC, 1989;
Epstein ,Lawrence J., Political Folk Music in America from Its Origins to Bob Dylan, McFarland & Company, Inc., Jefferson, NC, 2010;
Evans, David, Big Road Blues: Tradition and Creativity in the Folk Blues, Univ. of California Press, Berkeley, CA, 1982;
Eyerman, Ron and Jamison, Andrew, Music and Social Movements: Mobilizing Traditions in the Twentieth Century, Cambridge University Press, Cambridge, Eng., 1998;
Farber, David (ed.), The Sixties: From Memory to History, The Univ. Of North Carolina Press, Chapel Hill, NC, 1994;
Fauser, Annegret, Sounds of War: Music in the United States During World War II, Oxford University Press, NYC , 2013;
Ferriss, Susan and Sandoval, Ricardo eds., The Fight in the Fields: Cesar Chavez and the Farmworkers Movement, Paradigm Publications, Orlando, FL., 1998;
Filene, Benjamin, Romancing the Folk, Public Memory & American Roots Music, Univ. of North Carolina Press, Chapel Hill, NC, 2000;
Foner , Eric and Garraty, John A. , eds., The Reader’s Companion to American History, Houghton Mifflin Harcourt Publishing Company, NYC, 1991;
Fowke, Edith and Glazer, Joe, Songs of Work and Protest: 100 Favorite Songs of American Workers , Dover Publications, Inc., NYC, 1973;
Franklin, Bruce (ed.), The Vietnam War in American Stories, Songs, and Poems, Bedford Books of St. Martin’s Press, Boston, MA, 1996;
Friedman, Jonathan C. (ed.), The Routledge History of Social Protest in Popular Music, Routledge Pub., Inc., NY, 2013;
Garofalo, Reebee (ed.), Rockin’ the Boat: Mass Music and Mass Movements, South End Press, Boston, 1992;
Goldsmith, Peter D. , Making People’s Music: Moe Asch and Folkway Records, Smithsonian Institute Press, Wash. DC, 1998:
Green, Archie, Only a Miner: Studies in Recorded Coal Mining Song, Univ. of Ill. Press, Urbana, 1972;
Greenway, John, American Folksongs of Protest, Octagon Books, NY, 1971;
Gruning, Thomas, R. Millennium Folk, American Folk Music since the Sixties, University of Georgia Press, Athens, GA, 2006;
Hakim, Joy, Freedom: A History of US, , Oxford University Press, NYC, 2003;
Hanisch, Carol, Fight on Sisters: and Other Songs for Liberation, Franklin Printing , 1978;
Harrison, Thomas, American History through Music: Music of the 1980s, Greenwood Press, Westport, Conn., 2011;
- ______, American History through Music: Music of the 1990s, Greenwood Press, Westport, Conn., 2011;
Haskins, James, Black Music in America: A History Through its People, Thomas Y. Crowell Co., 1987;
Hillstrom, Kevin and Collier, Laurie, The Vietnam Experience: A Concise Encyclopedia of American Literature, Songs, and Films, Greenwood Press, Westport, Conn., 1998;
Holloway, Diane, American History in Song: Lyrics from 1900 to 1945, Authors Choice Press (2001);
Isserman, Maurice, If I had a Hammer…The Death of the Old Left and the Birth of the New Left, Basic Books, Inc., NYC, 1987;
Jennings, Peter and Brewster, Todd , The Century, Doubleday, New York, 1998;
Jones, John Bush , The Songs that Fought The War: Popular Music and the Home Front,1939-1945, Brandeis Univ. Press, Waltham, Mass., 2006;
Keene, Jennifer D., The United States and the First World War, Routledge, NYC, 2000;
Klein, Joe , Woody Guthrie, Ballantine Books, NYC, 1980
Kimball, Gayle (ed.), Women’s Culture in a New Era – A Feminist Revolution?, The Scarecrow Press, Lanham, MD, 2005;
Korson, George, Minstrels of the Mine Patch, Songs and Stories of the Anthracite Industry, University of Pennsylvania Press, Philadelphia, 1938;
Lankford, Ronald D. Jr., Folk Music USA: The Changing Folk Voice of Protest, Schirmer Trade Books, New York, 2005;
Larson, Erik, Dead Wake: The Last Crossing of the Lusitania, Crown Publishers, NY, 2015;
Lawson, A., Jim Crow’s Counterculture: The Blues and Black Southerners, Louisiana State Univ. Press, Baton Rouge, 2010;
Laska, Vera ed., Women in the Resistance and in the Holocaust: The Voices of Eyewitnesses, Greenwood Press, Westport & London, 1983;
Lieberman, Robbie, “My Song is My Weapon”, People’s Songs, American Communism, and the Politics of Culture, 1930-50, Univ. of Illinois Press, Chicago and Urbana, 1995;
Lomax, Alan, The Folk Songs of North America, Doubleday, 1960;
Lomax, Alan, Guthrie, Woody and Seeger, Pete, Hard-Hitting Songs for Hard-Hit People, University of Nebraska Press, Lincoln, NB, 1967;
Lomax, John and Lomax, Alan, American Ballads and Folk Songs, Macmillan, NYC, 1934;
- ______, Best Loved American Folksongs (Folksong USA), Grosset and Dunlap, NYC, 1947;
- ______, Our Singing Country : A Second Volume of American Folk Songs and Ballads, Macmillan, NYC, 1941;
Lynch, Timothy P., Strike Songs of the Depression, Univ. of Miss. Press, Oxford, MS, 2001;
LynskeyDorian , 33 Revolutions per Minute: A History of Protest Songs from Billie Holiday to Green Day, Harper Collins, NYC, 2011;
Mangione, Jerre , The Dream and the Deal: The Federal Writers’ Project, 1935-1943, Avon Pub., New York, 1972;
McAuliffe, Mary S., When Paris Sizzled: The 1920s Paris of Hemingway, Chanel, Cocteau, Cole Porter, Josephine Baker, and Their Friends, Roman & Littlefield, Lanham, MD, (2016);
Meacham, Jon, The Soul of America: The Battle for Our Better Angels, Random House, New York, (2018)
Mitchell, Gillian, The North American Folk Music Revival: Nation and Identity in the United States and Canada,1945-1980, Ashgate, Pub., Hampshire, England, 2007;
Moore, Lucy, Anything Goes: A Biography of the Roaring Twenties, The Overlook Press, New York, NY, (2010);
Murdoch, Brian, Fighting Songs and Warring Words, Popular Lyrics of Two World Wars, Routledge Press, London, 1990;
Murray, Robert K., Red Scare: A Study in National Hysteria, 1919-1920, University of Minnesota Press, Minneapolis, 1955;
Neal, Mark Anthony, What the Music Said: Black Popular Music and Black Public Culture, Routledge Press, NYC, 1999;
Niles, John J. “Jack”, Moore, Douglas S. “Doug”, Wallgreen, A. A. “Wally”, The Songs My Mother Never Taught Me, Gold Label Books, Inc., New York, 1929;
Olmstead, Tony, Folkway Records: Moses Asch and His Encyclopedia of Sound, Routledge Press, NYC, 2003;
Parker, Bernard S., World War I Sheet Music, Vol. I and II: 9,670 Patriotic Songs Published in the United States, 1914-1920 with more than 600 Covers Illustrated, McFarland & Co., Inc., Jefferson, N. C., 2007;
Peddie, Ian ed., The Resisting Muse: Popular Music and Social Protest, Ashgate Pub., 2006;
Pendle, Karin (ed.), Women & Music, A History, Indiana University Press, Bloomington, 1991;
Perone, James E., American History through Music: Music of the Counterculture Era, Greenwood Pub. Co. , CT, 2004;
Phillips, Kimberely L. , War! What is it Good For?; Black Freedom Struggles and the U.S. Military from World War II to Iraq, University of North Carolina Press, Chapel Hill, 2012;
Pichaske, David, Song of the North Country: A Midwest Framework to the Songs of Bob Dylan, Continuum International Publishing Group., NYC, 2010 ;
Pieslak, Jonathan, Sound Targets: American Soldiers and Music in the Iraq War, Indiana Univ. Press, Bloomington, IN, 2009;
Pratt, Ray , Rhythm and Resistance, Explorations in the Political Uses of Popular Music, Prager Pub,. NYC, 1990;
Calkins, Carrol C. ed., The Story of America, The Reader’s Digest Association, Pleasantville, NYC, 1975;
Reed, V., The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle, Univ. of Minnesota Press, Minneapolis, 2005;
Reuss, Richard with JoAnne C. Reuss, American Folk Music and Left Wing Politics, 1927-1957, Scarecrow Press, Lanham, Mass. 2000;
Rodnitzky, Jerome D. , Minstrels of the Dawn: The Folk-Protest Singer as Cultural Hero, Burnham Inc Pub., Chicago, 1976 ;
Roscigno, Vincent J. and Danaher, William F., The Voice of Southern Labor: Radio, Music and Textile Strikes, 1929-1934, Univ. of Minnesota Press, Minneapolis, 2004;
Rosenberg, Neil V., Transforming Tradition, Folk Music Revivals Examined, University of Illinois Press, Urbana, 1993;
Roy, William G., Reds, Whites and Blues: Social Movements, Folk Music and Race in the United States, Princeton Univ. Press, Princeton, NJ, 2010;
Sakamoto, Pamela Rotner, Midnight in Broad Daylight: A Japanese American Family Caught Between Two Worlds, Harper Collins Publishers, NYC, 2016;
Savage, Ann M., They’re Playing Our Song: Women Talk about Feminist Rock Music, Praeger, Westport, CN, 2003;
Scott, John Anthony, The Ballad of America: The History of the United States in Song and Story (rev. ed.), S. Ill. Univ. Press, Carbondale, Ill., 1983;
Seeger, Pete with Jo Metcalf Schwartz ed., The Incompleat Folksinger, A Fireside Book published by Simon and Schuster, NYC, 1972;
Seeger, Pete and Reiser, Bob, Carry It On: A History in Song and Picture of the Working Men and Women of America, Simon & Schuster, Inc., NYC, 1985;
- _______, Everybody Says Freedom: A History of the Civil Rights Movement in Songs and Pictures , WW Norton & Company, NYC, 1989;
Smith, Kathleen E.R., God Bless America: Tin Pan Alley Goes to War, Univ. of Kentucky Press, Lexington, 2003;
Spivey, Christine A. , Folk Music, Communism and the Red Scare as a Part of the America Landscape, Loyola Univ. Press, New Orleans, La., 1996;
Southern, Eileen, The Music of Black Americans: A History, W.W. Norton, NYC, 1983;
Spencer, Scott B. (ed.), The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity, The Scarecrow Press, Inc., Lanham, Md, 2012;
Stout, Janis P., Coming Out of War, Poetry, Grieving and the Culture of the World Wars, University of Alabama Press, Tuscaloosa, 2005;
Streissguth, Tom, The Roaring Twenties, (rev. ed.), Facts-on-File, Inc., NY (2007);
Time-Life Books, This Fabulous Century (7 volume set, 1900-1970 by decade) , Time-Life Books ,NYC, 1969;
Tick, Judith (ed.), Music in the USA: A Documentary Companion, Oxford Univ. Press, NYC, 2008;
Titon, Jeff Todd, Early Downhome Blues: A Musical and Cultural Analysis, Univ. of Illinois Press, Urbana, IL., 1977;
Trout, Steven , On the Battlefield of Memory: The First World War and American Remembrance 1919-1941, Univerity of Alabama Press, Tuscaloosa, 2010;
Tuchman, Barbara W., The March of Folly, From Troy to Vietnam, Ballantine Books, NYC, 1984;
- _______, The Guns of August, Presidio Press Books, San Francisco, 1962;
Tuso, Joseph F., Singing the Vietnam Blues, Songs of the Air Force in Southeast Asia, Texas A&M University Press, College Station, 1990;
Tyler, Don , American Music through History: Music of the Postwar Era, Greenwood Press, Westport, Cn, 2008;
van Rijn, Guido, Roosevelt’s Blues: African-American Blues and Gospel Songs on FDR, University of Mississippi Press, Jackson, 1997;
- ______, The Truman & Eisenhower Blues, African-American Blues and Gospel Songs, 1945-1960, Continuum Interrnational Publishers, London and New York, 2004;
- ______, Kennedy’s Blues: African American Blues and Gospel Songs on JFK, University of Mississippi Press, Jackson, 2007;
Wells, Robert V., Life Flows on in Endless Song: Folk Songs and American History, Univ. of Illinois Press, Urbana, 2009;
Weissman, Dick, Which Side Are You On, An Inside History of the Folk Music Revival in America, Continuum International Publishing, New York, 2005;
- ______, Talkin’ ‘Bout A Revolution, Music and Social Change in America, Backbeat Books, NYC, 2010;
Wenner , Hilda E. & Freilicher, Elizabeth , Here’s to the Women, 100 Songs for and about American Women, Syracuse Univ. Press, Syracuse, NY, 1987;
Whitfield, Stephen J. , The Culture of the Cold War (2^nd), The John Hopkins University Press, Baltimore, 1996;
Winkler, Alan M. , To Everything There is a Season: Pete Seeger and The Power of Song, Oxford University Press, NYC, 2009;
Young, William and Nancy , American History through Music: Music in the Great Depression, Greenwich Publishing Co., Westport, CN, 2005;
- ______, American History through Music: Music of the World War II Era, Greenwich Publishing Co., Westport, CN, 2008.

BIBLIOGRAPHY (The sources listed below provide general background information for the narrative contained in this section relating to The Fifties. It is a supplement to the bibliography set out in the main Songbook. Sources cited in the text relate to more specific information referenced in those particular paragraphs.)

A Cycle of Outrage: America’s Reaction to the Juvenile Delinquent in the 1950s, James Gilbert (New York: Oxford University Press, 1986)
A Howl of Free Expression: The 1957 Howl Obscenity Trial and Sexual Liberation, Jamie L. Rehlaender, Portland State University, March 19, 2015
All Shook Up: How Rock ‘N’ Roll Changed” (doctoral thesis), Glenn C. Altschuler
American Bandstand: Dick Clark and the Making of a Rock ‘n’ Roll Empire, John A. Jackson, (New York: Oxford University Press, 1997)
America in the Fifties, Andrew J. Dunar (2006)
America in the 1950s (Decades of American History), Charles Wills (2005)
“American Culture in the 1950s”, Martin Halliwell, Edinburgh University Press (2005)
American High: The Years of Confidence, 1945-60, William O’Neill (New York: Simon and Schuster, 1986)
As Seen on TV: The Visual Culture of Everyday Life in the 1950s, Karal Ann Marling (Harvard University Press, 1996)
Chuck Berry Invented the Idea of Rock and Roll, Bill Wyman, https://www.vulture.com/2016/12/chuck-berry-invented-the-idea-of-rock-and-roll.html
Commercialism, Counterculture, and the Folk Music Revival: A Study of Sing Out! Magazine, 1950–1967, Mikiko Tachi, The Japanese Journal of American Studies, No. 15 (2004)
Conflict and Conformity, Culture and Technology Ruled in Rock’s Early Days, Richard Aquila
Crabgrass Frontier: The Suburbanization of the United States, Kenneth T. Jackson (1985)
Crossing Over: From Black Rhythm Blues to White Rock ‘n’ Roll, Reebee Garofola, Rhythm & Business: The Political Economy of Black Music (2002)
Domestic Blitz: A Revisionist History of the Fifties, Gaile McGrego, https://journals.ku.edu/amsj/article/view/2849/2808
Fifties Television: The Industry and Its Critics, Boddy, Univ. of Ill. Press
From Town Center to Shopping Center: The Reconfiguration of Community Marketplaces in Postwar America, Lizabeth Cohen, American Historical Review (1996)
God’s Country: America in the Fifties. Ronald Oakley (1986)
Harmonies, Heroes and Heroin, ‘Streetlight Harmonies’ Charts the Rise, Fall and Legacy of the Popular 1950’s Musical Genre, David Browne
How the Fifties became the Sixties, Stephen J. Whitfield, Historically Speaking January/February (2008) http://www.bu.edu/historic/_hs_pdfs/HS_sixties_forum_Jan_08.pdf
“‘Leave It to Beaver’ and ‘Ozzie and Harriet’: American Families in the 1950s,” The Way We Never Were: American Families and the Nostalgia Trip, Stephanie Coontz, (New York: Basic Books, 1992)
Music in the Age of Anxiety: American Music in the Fifties, James Wierzbicki (Urbana, University of Illinois Press, 2016)
New York in the Fifties, Dan Wakefield, Greenpoint Press (2011)

Race, Hegemony, and the Birth of Rock & Roll, Paul Linden, University of Southern Mississippi, Journal of the Music & Entertainment Industry Educators Association Volume 12, Number 1 (2012)
Rockin’ for Civil Rights, Eric Vaillancourt, (January 2011), https://digitalcommons.brockport.edu/cgi/viewcontent.cgi?article=1118&context=ehd_theses
Roots of Rock – Doo Wops, https://www.shsu.edu/~lis_fwh/book/roots_of_rock/Doo-Wop2.htm
Social History of the United States: The 1950s, John C. Stoner and Alice L. George. (2008)
Survey of American Popular Music, Frank Hoffmann
That’s the Way It Is, A History of Television News in America, Charles L. Ponce de Leon
The Death and Life of Downtown Shopping District, Richard Florida, com, (June 4, 2012)
The 50s: The Story of a Decade, The New Yorker Magazine (2016)
The Fifties, David Halberstam (1993)
The Fifties: A Women’s Oral History, Brett Harvey, Harper Collins (1993)
The Fifties: The Way We Really Were, Douglas T Miller and Marion Nowak, Garden City, N.Y.: Doubleday & Co., Inc., (1977)
The Fifties Were Awful, But Not the Way You Think, Ronald W. Dworkin
The 1950’s and the 1960’s and the American Woman: The Transition from the “Housewife” to the Feminist, Vanessa Martins Lamb, (June 2011)
The Haunted Fifties, 1953-1963, A Nonconformist History of Our Times, F Stone (1989)
The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition, Theodore Roszak, (New York: Anchor Books, 1969)
The Myth of the 1950s, Alan J. Levine (2008)
The Nicest Kids in Town: American Bandstand, Rock and Roll and The Struggle for Civil /Rights in 1950s Philadelphia, http://nicestkids.com/nehvectors/nicest-kids/national
The Position of the Intellectual in the 1950s: Case Studies of J. D. Salinger and Ayn Rand, Stephen J. Bain, University of Tennessee – Knoxville
Trapped in the Kitchen: How Advertising Defined Women’s Roles in 1950s America, Courtney Catt, Waco, Texas (May 2014)
Urban Decline (and Success) in the United States, Fred Smith and Sarah Allen, Davidson College, EH.net
Who Really Invented Rock ‘n’ Roll, Jack Newfield, The New York Sun, (September 21, 2004) https://www.nysun.com/arts/who-really-invented-rock-n-roll/2037/
“Whose Music, Whose Dances? Whose Culture? Race and American Bandstand : American Bandstand: West Philadelphia’s Seven-Year Wonder 1957-1964”, John L. Puckett, https://collaborativehistory.gse.upenn.edu/stories/whose-music-whose-dances-whose-culture-race-and-american-bandstand